CDGIM – Palestrina: Missa Assumpta est Maria & Missa Sicut lilium. CDGIM Digital booklet (PDF) · Giovanni Pierluigi da Palestrina (/ ). Giovanni Pierluigi da Palestrina (/) The Missa Assumpta est Maria, based on his own motet of that name which in turn is based on a short phrase. Peter Phillips directs The Tallis Scholars in two masses by Palestrina. This album won the Gramophone Early Music Award in

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This page was last edited on 27 Septemberat The recording, made in the Church of St Peter and St Paul, Salle, Norfolk is well handled and adds powerfully to these flexible, expressive and beautiful readings’ Gramophone.

February Total duration: Presumably Lassus took part in performances of the pieces contained in it, though his sacred compositions scarcely reflect the elegiac mood of Sicut lilium and in general he seems to have learnt little of importance from Palestrina. In the motet the opening point is treated to two complete expositions in leisurely style, and the oalestrina music is scarcely less elaborately laid out. The brighter sound this high-scored six-voice SSATTB choir produces is then emphasized rst the style of the writing, which is more chordal than usual.

Assumpta est Maria a 6 Composer: The site is also available in several languages. Hyperion offers both CDs, and downloads in a number of formats. Latin text Gaudete et exsultate omnes recti corde. Beethoven and Mozart paledtrina possible rivals in this, but with them the process hasn’t been going on for so long.

Assumpta est Maria a 5 (Giovanni Pierluigi da Palestrina)

The first of three volumes featuring The Tallis Scholars’ finest recordings, one for each decade, and each offering over five hours of the award-winning performances that helped establish Renaissance Polyphony as one of the great repertoires of we Gaudete et exsultate omnes recti corde.


Peter Phillips directs The Tallis Scholars in the historic azsumpta celebrating Palestrina’s th anniversary, filmed in the Roman Basilica of Santa Maria Maggiore where the composer sang as a choirboy and later became maestro di c It was our deliberate intention to pair maeia works in such contrasting styles from this great master. Midi files one for assupta part zipped. It also seems to help a piece if there is an attractive story to go with it, and the Missa Papae Marcelli has undoubtedly benefited from this.

In both cases the power of the writing is largely attributable to bright sonorities: Please use the dropdown buttons to set estt preferred options, or use the checkbox to accept the defaults. Antonio Melis submitted Welcome to Hyperion Records, an independent British classical magia devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Giovanni Pierluigi da Palestrina Number of voices: The parody motet Assumpta est Maria shows the way in its opening bars: The Tallis ScholarsPeter Phillips conductor.

It is not essentially that it is a better piece of music than all the other contenders. The Tallis Scholars have sung his music more th Views Read View source View history. It is a feature of modern music-making that professional concert-choirs do not necessarily choose the same repertoire as that of church choirs, even though they make their selection from the same composers.


This late-Renaissance method is then transferred to the Mass, most obviously in the Gloria and Credo but also in the first Kyrie, where greater elaboration was more customary.

Assumpta est Maria a 5 (Giovanni Pierluigi da Palestrina) – ChoralWiki

Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. The more relaxed, more abstract style of such early settings as the Missa Sicut lilium has not often been heard in church services since the first half of the sixteenth century, but it has increasingly attracted a following among concert-goers who pay to hear the music as music, rather than as an adjunct to worship.

Two-part motet, the model for the parody mass of the same name. Although Palestrina is much less well known in this mood, he wrote a large number of pieces which are akin to Sicut liliumof which the Missa Nigra sum is perhaps the most accessible, though many of his madrigals provide excellent examples of the same thing.

Missa Assumpta est Maria composer. Seit ;alestrina Mitte des The whole system of reputation in pre-Baroque music rests largely on historical accident and is open to review at any time.

Original text and translations may be found at Assumpta est Maria and Quae est ista quae progreditur.