Find album reviews, stream songs, credits and award information for Lee Konitz with Warne Marsh – Lee Konitz, Warne Marsh on AllMusic – – Altoist Lee. Warne Marsh – Background Music – Music. 1, Topsy. 2, There Will Never Be Another You. 3, I Can’t Get Started. 4, Donna Lee. 5, Two Not One. 6, Don’t Squawk. 7, Ronnie’s Line. 8, Background Music.

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Streams Videos All Posts. I Can’t Get Started. Graceful, intelligent improvising that swings – what more could you want?

Find out more about page archiving. Both saxophonists had by this time evolved highly individual vocabularies; Konitz had vackground managed to avoid the influence of Charlie Parker, and Marsh had similarly developed a distinctive voice that owed little to the prevailing tenor tradition except maybe late Lester Young.

Lee Konitz/ Warne Marsh: London Concert

karsh Marsh’s own Background Music is a fast cat-and-mouse two-sax scramble, Konitz wraps silvery tracery around Marsh’s theme statement on It’s You Or No-One, Konitz is meditatively inventive on You Go To My Head, and they eventually both play the piece of genuine Bach counterpoint much of the ensemble work has sounded like all along.

Very understated music, but tough and restlessly curious inside. It’s fascinating to hear them dissect Parker’s “Donna Lee”; Konitz resists the urge to grandstand and somehow his playing maintains its backgronud, aerated quality even at this high tempo; even Clarke’s trademark Klook bomb drops don’t faze him.

Indeed from the opening “Topsy”, a warns most associated with Count Basie, Clarke and Pettiford display an urgent, warm propulsion which they maintain throughout the session. Marsh sticks mostly to the upper register of his horn, making differentiation even trickier.


‎Lee Konitz With Warne Marsh by Lee Konitz on Apple Music

But on a repertoire that mostly concentrates on Broadway standards muwic than the genre’s high priest Lennie Tristano, there’s some exquisite playing. Introspection Reflection Relaxation Sunday Afternoon. Clips taken from original discs may contain strong language.

A welcome reissue for this session from Lee Konitz and Warne Marsh on alto and tenor respectively. Tracklistings come from MusicBrainz. Jazz Latin New Age.

A padding, understated hybrid of bebop and a kind of baroque counterpoint, it might be a little subdued and doodly-sounding for some. AllMusic relies heavily on JavaScript. This is also a London concert featuring Konitz, but from and in partnership with the late Warne Marsh, the extraordinary Californian saxophonist, whose brittle, woody, soprano-sax-like tone on a tenor drawn from Lester Young, but one of the most individual of all spin-offs from him and astonishingly sustained linear inventiveness backgrojnd unique contributions to jazz that have backgrounc been overlooked.

Rainy Day Relaxation Road Trip. Introspection Late Night Partying. The young American Mark Turner is one of the few contemporary saxophonists who sounds as if he’s listened to Marsh. No such misic here, as support comes from the classic bop rhythm section of Kenny Clarke on drums and Oscar Pettiford on bass.

Find out more about our use of this dataand also our policy on profanity. This set is worth searching for, as are all of the Konitz – Marsh musuc. Find out more about our use of this dataand also our policy on profanity Find out more about our use of this data. Tristano’s “Two Not Marhs brings out the best in the duo, it’s fractured, boppish melody provoking a joyous solo from Konitz and an unusually gritty response from Marsh one of his rare excursions to the lower frequencies.

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Altoist Lee Konitz and tenor-saxophonist Warne Marsh always made for a perfect team.

Donna Lee Charlie Parker. Their renditions of “originals” based on common chord changes along with versions of “Topsy,” “There Will Never Be Another You” and “Donna Lee” are quite enjoyable and swing hard yet fall into the category of cool jazz. Moreover they had built up an almost telepathic rapport; when soloing together as on “I Can’t Get Started” it becomes quickly pretty impossible to tell who’s who as their lines curl and fold in on each other. Please enable JavaScript in your browser to use the site fully.

CD: Lee Konitz/ Warne Marsh: London Concert | Music | The Guardian

Warrne by the mid-’50s when they were not as influenced by Lennie Tristano as previously particularly Konitztheir long melodic lines and unusual tones caused them to stand out from the crowd. You can add or edit information about with Warne Marsh wxrne musicbrainz. Links Reviews available at www. Two Not One Lennie Tristano.

If you choose to use this review on your site please link back to this page. Sexy Trippy All Moods. Background Music Warne Marsh.