Canto Ostinato for two pianos. Composer: Simeon ten Holt Performers: Piano Duo Sandra en Jeroen van Veen on two grand pianos. Simeon ten Holt: ‘The best. Canto Ostinato (). The first performance of Canto Ostinato took place on April 25th in the Ruïnekerk in Bergen (The Netherlands) and was. Simeon Ten Holt: Canto Ostinato. By Simeon ten Holt, Irene Russo, Fred Oldenburg, Sandra van Veen, Jeroen van Veen. • 28 songs. Play on Spotify . 1.
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CD Canto 4 pianos, BC 9261
Although most bars or sections feature repeat signs and although the performer s decide s on the number of repeats, one cannot speak of repetition-as-such. On this Cd the piece is performed on several marimbas performed by one performer.
The music by Ten Holt is unique and attracts a new audience to classical cnto. Although most bars or sections feature repeat signs and although the performer s decide s on the number of repeats, one cannot speak of repetition-as-such. Insiders characterized their work osttinato game changing.
Ostinayo commonly, it is played with either two or four pianosbut during the first performance in Bergen, North Holland in the Netherlands, the performers used three pianos and an electric organ. A performance of Canto is more like a ritual than a concert.
Simeon ten Holt Performers: Bergen, June Translation: It starts with 2 4 catno, given the fact that quintuplets are thoroughly used in this composition, is actually 10 Section 91 C Harp player Gwyneth Wentink, electronica specialist Wouter Snoei and video artist Arnout Hulskamp will bring this arrangement of Canto Ostinato to exceeding stages worldwide.
As stated the first performance lasted two hours but ositnato could have easily been more or less. The performers also decide, depending on available time and physical effort, whether they will take turns or if there will be a pause.
Hulskamp was twice awarded the Gouden Reiger award. It is a tonal composition, and therefore marked a cant direction in his style of composing. In the myth of Zulus of South Africathere is a tale about a goddess called “Marimba” who made an instrument by hanging gourds below wooden bars.
Through its constant return A forms a pivotal or rest point. For the right hand there are two systems on which alternatives variants have been notated. A new episode begins at figure 88 in the score, a sort of interlude.
Starting with the bass line, each time he added layers to fulfil the score. The composer has always insisted that the transitions in intensity and manner of playing be carried out with a maximum of control and distinction. Repetition in this case has as its goal to create a situation in which the musical object affirms its independence and can search for ostibato most favorable position with respect to the light thrown on it, becoming transparent.
But the performance with four pianos is preferred. The piece can be performed with different instruments and a different number of performers.
Views Read Edit View history. Cd Canto Ostinato marimbas Composer: Arnout Hulskamp studied at the HKU University of the Arts Utrecht and made a name for himself with his Open Wound software, which enabled him to compose expressionist glitch video. Other versions use combinations of piano, organ, marimba, carillon and other instruments. Section 88 C Canto Ostinato, Part II 1. From Wikipedia, the free encyclopedia. Repetition in this case has as its goal to create a situation in which the musical object affirms its independence and can search for its most favourable position with respect to the light thrown on it, becoming transparent.
Section 88 B Thus, his style of minimal composition is truly European in its orientation and has been little influenced by North American minimal composers, whose works draw more often on rock, jazz, and world musics.
Canto Ostinato – Wikipedia
Simeon ten Holt was the official sponsor of the record of Canto Ostinato by the Dutch Rondane Quartet published in The piece is regularly performed live in the Netherlands with changing players and instruments, ranging from those with four pianos or one or more different instruments, to those played by a solo musician.
Time plays an important role in Canto. The ordering of A and its satellite-sections as given in the score is, in a certain sense, relative. Retrieved from ” https: It has also been performed in several public spaces all around the Netherlands, such as the Groningen railway station.
Simeon ten Holt Performers: Canto stems from a traditional source, is tonal and makes use of functional harmony, it is built according to the laws of cause and effect tension-release.