Lachenmann – Kontrakadenz Aesthetic Apparatus: Clarinet Chamber Music of Helmut Lachenmann · See the Sound (Hommage to Helmut Lachenmann). Helmut Lachenmann, the German composer born in Stuttgart in , .. The first work is, in my opinion, Lachenmann’s finest: Kontrakadenz. View credits, reviews, tracks and shop for the SmartPac CD release of Kontrakadenz / Klangschatten – Mein Saitenspiel / Fassade on Discogs.
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Retrieved 31 December The performance is excellent and though the piece has been recorded elsewhere, the easy availability of this CD makes it especially priceless. Although his chamber works are as intimate as any ever written, they are also among his most experimental works. Nonetheless, it is much more tranquil, almost somber, than one would imagine an allegro to be.
A short bio appears at the end of this piece. For instance, his clarinet concerto Accantorev.
A definite turning point in his career occurred away from the classroom, when he attended the summer courses at Darmstadt for the first time inwhere he found a mentor in the form of Luigi Nono, one of the few composers at that time of rampant serialism who openly embraced the past. Their isolated notes, sprinkled across similarly lachenmamn patterns in the strings, are fundamental to the piece, but the sustained slow tempi and quiet dynamics may make this work more difficult for novice listeners.
His poetry, primarily abstract in nature, has been used in recent years by composers in Asia, Europe and South America.
The performers themselves are top-notch and obviously well-attuned to the demands made by the composer. Kontrakadenz; Klangschatten – mein Saitenspiel; Fassade.
It is not a mature work, but still noteworthy. Monthly Choices Roll over covers to find out lacheenmann. Cookies perform functions like recognising you each time you visit and delivering advertising messages that are relevant to you.
Helumut Lachenmann: Accanto; Consolation I; Kontrakadenz
BBC Music Magazine digital editions. He also worked briefly at the kontrakadennz music studio at the University of Ghent incomposing his only published tape piece Szenario during that period, but thereafter focused almost exclusively on purely instrumental music.
Toward the beginning, one hears various percussive rustlings, including falling ping-pong balls, coins, etc. The best classical music for New Year’s Eve. The Schwankungen available here is the live recording from its premiere at Donaueschingen in October Recording of the Month.
Helmut Lachenmann – Wikipedia
They perform exceptionally well, which is not a surprise. This page was last edited on 29 Decemberat Vital to his aesthetic belief is the reformulation and renewal of musical traditions; why simply accept the hierarchy of traditions the evolution lachwnmann music has handed down to us? For the most part, it is a quiet, almost static piece the title, Fluctuations on the Fringeimplies that the fringe here is not only that between the instruments themselves, but also the border between noise and silencepunctuated by occasional brass outbursts; the pianos lead the way most of the time, however, their steady cluster pulse like a beacon.
It sounds almost like a direct dialogue with the music of the past, presented through the eyeglass of the modern world. Secondary links Competitions What’s on Awards Polls. Most Popular Most Recent. They do not exist as effects, however, but instead as characters in the musical dramaturgy, so to speak, as they do in most works of the traditional repertoire.
Thinking About Helmut Lachenmann, with Recommended Recordings | La Folia
The title could mean so much: It takes the refined nature of the ladhenmann piece to another level, but is more uncompromising in spirit: ECM New Series Ten of the best and worst novels about composers. Retrieved from ” https: A sustained Hammond organ figure, commented on by the electric guitar and percussion, then leads to a crescendo tam-tam strike, after which roaring brass and strings enter the fray.
Kontrakadeenz interview with filmmaker John Bridcut.